Friday, February 25, 2022
Far from the Madding Crowd by Thomas Hardy
Friday, February 11, 2022
Modern British Poetry by Louis Untermeyer
Edited by Louis Untermeyer and printed in 1920, Modern British Poetry highlights the poets of the early Georgian era (1910-1920). Half of them have been forgotten. Others, like John Masefield, Rudyard Kipling, Walter de la Mare, G.K. Chesterton, Thomas Hardy, and Robert Louis Stevenson have endured. And no anthology of “modern” poets would be complete without the WWI poems of Siegfried Sassoon and Rupert Brooke who eloquently decried the brutality of war.
In general,
the Georgian poets wrote in reaction to the sentimentality of the Victorian era
and its “rhymed sermons.” Much of their poetry is realistic and fatalistic. William
Ernest Henley’s Invictus makes sense coming out of this time period of societal
renunciation of a Higher Power and man’s subsequent dependence on himself. I am amazed
that in the midst of such pessimism and cynicism that poets like Stevenson, de
la Mare and Davies were able to find their voices.
Untermeyer
gives an introduction to each poet and one or two samples of his poetry. Some of his descriptions were less than flattering. On Alfred
Noyes, he wrote, “Unfortunately, Noyes has not developed his gifts as deeply as
his admirers have hoped. His poetry, extremely straightforward and rhythmical, has
often degenerated into cheap sentimentalities and cheaper tirades; it has
frequently attempted to express programs and profundities far beyond Noye’s
power.” He describes D.H. Lawrence poetry as rife with “a febrile morbidity to
an exalted and almost frenzied mysticism.” (!)
Most amusing of all, he predicts that Chesterton will be remembered for his poetry rather than his prose.
This was a
free-for-kindle title which led me down a rabbit trail to many other obscure gems.
I added about a dozen books to my TBR list!
Friday, January 28, 2022
The Collected Letters of C.S. Lewis, Volume 2
I’m finally reviewing my favorite book of 2021. Volume One of the Letters of C.S. Lewis covers his early life and ends with his conversion. In Volume Two (1931-1949), we see how he grows in his faith and begins writing his fiction and his apologetical books. I was drawn in from the very first letter and was kept interested by the variety of his correspondents and his overwhelming kindness and humility. I was taken aback initially by a bawdy joke he included in a letter to his brother, but chortled at his nickname for a project in which he was unwillingly involved (The Oxford History of English Literature) that he referred to as “O Hell!”
There is much
to savor in this volume: details of his friendship with Tolkien, his unbelievable patience
with Jane (a cantankerous woman who was Lewis’ houseguest until the end of
her life), his gentle, wise responses to people who asked him questions about
his faith, and the endless list of books he was reading.
In spite of
his brilliance as a thinker and writer, his letters are infused with a guilelessness
that is disarming. He wrote to a Catholic nun on August 9, 1939, Though
I’m forty years old as a man, I’m only about twelve as a Christian, so it would
be a maternal act if you found time to sometimes mention me in your prayers.
In another letter
written in April of 1935, he is renewing an old acquaintance and sums up his
life simply, My father is dead and my brother has retired from the army and
now lives with us…. I am going bald. I am a Christian. Professionally I am
chiefly a medievalist.
Friday, January 14, 2022
Anthony Trollope: An Autobiography
The doctor’s
vials and the ink-bottle held equal places in my mother’s rooms. I have written
many novels under many circumstances, but I doubt much whether I could write
one when my whole heart was by the bedside of a dying son. Her power of
dividing herself into two parts, and keeping her intellect by itself clear from
the troubles of the world, and fit for the duty it had to do, I never saw equaled.
I do not think that the writing of novel is the most difficult task which a man
may be called upon to do, but it is a task that may be supposed to demand a
spirit fairly at ease…. My mother went through it unscathed in strength, though
she performed all the work of day-nurse and night-nurse to a sick household –
for there were soon three of them dying.
Soon he was summoned to work as a clerk in the London Post office. He gives detailed descriptions of his post office duties through the years and how he managed to begin his own career as a novelist; he recalls his different books and how long they took to write and how much he got paid for them. Sometimes he compares how he felt about them with what the public felt about them. (He didn’t give a hang about public opinion.) Regarding TheSmall House at Allington, he wrote, In it appeared Lily Dale, one of the characters which readers of my novels have liked the best. In the love with which she has been greeted I have hardly joined with much enthusiasm, feeling that she is somewhat of a prig.
Chapter
Thirteen was a commentary on fellow Victorian novelists and includes Trollope’s
fascinating predictions of who would last and who would fade away. His “keepers”
are Thackeray and George Eliot. He acknowledges Dicken’s popularity, but vehemently
disagrees with it. His predictions for the “losers” were mostly right. He
predicted that the novels of Charles Read, Henry Bulwer, Annie Thackeray, Rhoda
Broughton, Charles Lever and Charlotte Brontë (!) would sink into oblivion.
Although
parts of this book were tedious, I was sad when it was over. The
narrator, Bernard Mayes (with his grandfatherly British voice), did such a good
job that I felt like I had just had a long conversation with a good friend that
suddenly came to an end.
I will close
with a favorite quote from Clifton Fadiman: Above all give me Trollope, from
whom I have received so much pleasure that I would willingly call him another
St. Anthony; his half a hundred novels are good for five years of bedside
reading. Of those who minister to the tired, night-welcoming mind, Trollope is
king. He never fails to interest, but not too much; to soothe, but not too
much. Trollope is the perfect novelist for the bedside.


