Worthwhile Books
Books have to be heavy because the world's inside them. - Cornelia Funke
Friday, November 8, 2024
Best-read vs. Well-Read - Quote from Dennis Kinlaw
Thursday, October 24, 2024
The Four Loves by C.S Lewis
The four
loves are 1) Storgé/familial love, 2) Friendship, 3) Eros/romantic
love, and 4) Agape/Charity. His description of storgé was so endearing that I
had to stop listening and write it down. It comes from Greek and refers to
affection, especially of parents to children.
It’s
usually the humblest of the loves. It gives itself no airs. Storge is modest,
even furtive and shame-faced. Storge has a very homely face. So have many of
those for whom we feel it. It’s no proof of your cleverness or perceptiveness
or refinement that you love them nor that they love you. To have to produce
storge in public is like getting your household furniture out for a move. It
was all right in its native place, but it looks tawdry out of doors. And the
feeling of storge is so nearly organic, so gradual, so unemphatic, that you can
no more pride yourself on it than on getting sleepy towards bedtime. It lives
with humble, unpraised private things: the thump of a drowsy dog’s tail on the
kitchen floor, the sound of a sewing machine, easy laughter and easy tears on
some shrewd and wrinkled old face, a toy left on the lawn. It’s the most
comfortable and least ecstatic of loves. It is to our emotions what soft
slippers and an easy, almost worn-out chair, and old clothes are to our bodies.
It wraps you round like a blanket almost like sleep. At its best, it gives you
the pleasure, ease, and relaxation of solitude without solitude itself.
Beautiful,
right? But just when I was completely enamored, he delineates all the ways this
kind of love can be distorted. That is
how the book goes. He explains each type of love at its glorious best and then
shows how easily it can turn into something manipulative and selfish. His conclusion
comes in the final chapter where he emphasizes the importance of self-giving love as
the only solution for keeping the other loves from becoming corrupted. In this chapter he
writes his famous lines:
To love at
all is to be vulnerable. Love anything, and your heart will certainly be wrung
and possibly be broken. If you want to make sure of keeping it intact, you must
give your heart to no one, not even to an animal. Wrap it carefully round with
hobbies and little luxuries; avoid all entanglements; lock it up safe in the
casket or coffin of your selfishness. But in that casket – safe, dark,
motionless, airless – it will change. It will not be broken; it will become unbreakable,
impenetrable, irredeemable…. The only place outside Heaven where you can be
perfectly safe from the dangers and perturbations of love is Hell. (p. 121)
Note: The
book gets a bad rap for some comments he makes about the differences between
men and women, but, honestly, don’t let that keep you from reading it. Anything
written by Lewis is worth tackling for his wonderful clarity and depth.
Thursday, October 10, 2024
How I Read Ten Books at Once
pages in my hymnal. (and the Bible!)
Friday, September 27, 2024
Set in Silver by C.N. Williamson
Set in Silver is a far-fetched comedy of errors that was perfectly delightful. It’s a
love story in two senses. First, it’s the tale of a man who comes back to
England after many years and rediscovers his passion for the country of his birth.
Second, it is the traditional yarn of boy-meets-girl.
I’m
prejudiced toward British writers and the Williamsons did not disappoint. The
novel was loaded with literary references to Greek mythology, literary classics
and the Bible. It was not Christian by any stretch of the imagination (Lionel’s
sister is annoyingly religious), but if you know the Bible, the off-hand allusions
to scriptural passages were often laugh-out-loud-funny. The frequent references
to Arthurian legends were also a big plus for me. (It’s amazing to think that
this “light” novel was written with the expectation that people would catch all
these references, which they still did in 1909.)
Even though
I could hardly put this book down, it took almost a week to read. It was 400
pages on my Kindle and I refused to skim over the descriptive passages (except
for the last 40 pages when I just couldn’t wait a second longer to see how it
was all going to turn out).
If you like
a good vintage novel that is more lighthearted than sappy, this should do the trick. It
had me smiling from start to finish. And it’s free for Kindle.
Friday, September 13, 2024
A Fugue in Time by Rummer Godden
What a strange and delightful book! It tells the story of a house that has sheltered three generations of the Dane family. The book opens during WWII as Sir Roland looks back over his life and over the century that his family has lived in the house at 99 Wiltshire Place. People are randomly introduced, but are fleshed out as the novel progresses. There are Griselda and John, Roland’s parents. Of their nine children, only three play a major part in the narrative. Another member of this second generation is Lark, an adopted orphan. Finally come Grizel and Pax (the third generation).
Another
major character in the book is the house itself. It seems to hold the memories
and conversations of all who have lived there. These voices sometimes talk to
Roland, which may be disconcerting to some readers, but I found it intriguing.
Take this paragraph which describes a young woman (granddaughter to John and grandniece to Roland) who comes for a visit:
It seemed to her all at once that the house was immensely bigger than she had first thought; it had, she glimpsed, a common life far greater than the individual little lives that were her grandfather and herself. It held them both. He was dead, she was alive, but there was no difference between them in the house. Grizel did not like that. She was insistent. ‘No. No,’ she cried. ‘He is dead, It is I, Grizel, who am alive.’ Then her cheeks warmed. It was as if someone had coldly remarked, ‘What a clamor you make, Grizel.’
It can be confusing because the narrative is not told in a linear fashion, but jumps back and forth between time frames; you only know when a particular episode takes place by paying attention to the names given to the servants or to Sir Roland. (He is young “Roly” as a boy, and grows into “Rollo” as a young man. At the end of his life, he is referred to as “Rolls.”)
Being
musically challenged, I did not know the significance of the word fugue in the
title, but other reviewers helped me see Godden’s genius in using it. Sara (at
Goodreads) explains, “A fugue is a musical movement in which melodic lines run
independently but also merge to create a harmony…. Godden has created a fugue
in her novel, telling individual stories, with individual voices, but layering
them atop one another to show both the passage of time and the continuity of
time, simultaneously.”
It's complicated, but patient reading brings rich dividends. The writing is lovely. For example, the empty nursery is described not as “vacant” but as a place with a sense of an inner cheerful life of its own like the sound of the sea, once known to the shell, that always remains.
One
reviewer calls it a feminist book, but I beg to differ. Yes, one of the women in
the family chafed at the marital yoke and wished she had never had any
children. But the two unhappiest characters are those who have shut themselves
out of relationships to stay “safe.” Grizel and Pax must decide if they will choose
safety and order over the potential discomforts of joining their lives together.
This is a unique book that must be read slowly. Its beauty brought tears to my eyes more than
once.